Reviews
"Without taking anything away from interesting insights of the collective effort and the results presented in the book, several weaknesses are worth bringing up. For example, Sectarianization: Mapping the New Politics of the Middle East on the whole fails to present a sufficiently clear and coherent longitudinal explanation of the evolution of sectarianization in relation to modernity and the development of nation-states in the region. There are intimations of such a discussion, primarily in the introduction, but these are largely left unexplored in the subsequent chapters."
“But this is also a work that unnerves a disciplined or permitted logos and is a courting of the way the black archive has been formed outside of the enlightenment discourse, and in this way the philosophical history/fantasy of reason appears as Western misology at best. What is introduced are practices that reproduce the racialized, i.e. black body, for its biogenetic destruction. And while there is nothing new or novel in this post-colonial reading of modernity, there is something uniquely problematic in how this doubling of the world and language is predicated on the birth of a new sense, i.e. new aesthetic arrangements predicated simultaneously on outmoded or decaying sensibilities.”
"Perhaps the most reprehensible aspect of The Breadwinner’s plot is the deus ex machina role the US military is given in the film’s conclusion. In the last segment of The Breadwinner, just as Parwana has lost all hope in freeing her father, the military begins its invasion of Kabul. It is only through the chaos of bombs dropping from US fighter jets that Parwana is able to rescue her father from prison. Not a single civilian death is shown in this scene."
“Pierret provides a rich, detailed, thick description of the religious field of Syria from the 1960’s to the present, covering the years from the Baʿth coup to the ongoing Syrian Civil War. In describing the structure of Syria’s religious field, Pierret draws on the theoretical work of Pierre Bourdieu and other sociologists to consider Syria’s Sunni ʿulamaʾ, their institutions, financial basis, opponents, and strategies in engaging the realm of power […] Pierret’s study is an important contribution to the literature on ʿulamaʾ in the 20th century, the state, Islamism, and the nature of contestation and accommodation between these actors.”
“[C]ounter-terrorism efforts are doomed to failure because they do not address the underlying contextual circumstances that facilitate ‘radicalization.’ Faced with tremendous violence and senseless death, it should not be surprising that the jihadist message of salvaging past dignity, power, and self-worth resonates with a Sunni audience caught in a vicious and seemingly intractable civil war."
"Yet both philosophers were also highly cognizant of the need for intellectual rigor. For Ibn al-Arabi, this included a legendary familiarity with the Qurʾan and the hadith corpus, copious references to them in his voluminous writing, a meticulous and critical examination of philosophy (falsafa) and scholastic theology (kalām), and a pious observation of the shariʿa in his personal life. In Derrida's case, he worked closely with renowned French philosophers and writers of the late 20th century including Althusser, Hyppolite, Marion, Barthes, de Mann, and many North American academics."
What cannot be denied, says Foucault, is that a remarkable event took place on the streets of Tehran in 1978, and a community of people staked their lives in commitment to it. In this moment, the massive, impenetrable walls of global capitalism, market imperialism, and Westernizing modernism that surrounded everyday Iranians, tunneling them toward an inevitable future, floated up from the ground to reveal the glimmer of a different future. Was this hallucination, was it hysteria, ideological blindness? Was it Foucault’s hallucination or a collective one?
A Separation focuses on the separation of Simin and Nader, an Iranian middle class couple. Simin wants to leave Iran with her daughter in order to pursue a better future, while Nader, who is a banker, wants to stay in Iran in order to take care of his senile father. It portrays the emotional struggles that arise from this separation as their daughter (played by Asghar Farhadi’s own daughter) and those around them are significantly affected by it. It also centers around a conflict that surfaces between Nader, and his working class caregiver, as the latter accuses Nader of being the cause of her miscarriage. It explores issues of morality and law, as well as class dynamic in modern day Iran.
Drawing on an ethnography of oral traditions and an extensive archive of sacred texts from shrines across the Uyghur homeland, Rian Thum’s work seeks to amplify how Uyghurs themselves imagined their community prior to the state, prior to modernity, perhaps even prior to Islam. In essence, Thum is arguing that the identifications of the Uyghurs are not centered around a national imaginary or ethnic community, but rather it was articulated through the oral recitation and amendment of sacred texts during pilgrimages to the shrines of the “bringers of Islam” (wali).
In particular, Michot intends to demonstrate the ways in which Ibn Taymiyyah’s Mardin fatwa has been misinterpreted by academics, orientalists, and Islamists alike. Over the course of his text, Michot provides an extensive introductory argument - wherein he explicates upon the concept of hijra, the distinction between a domain of peace and of war, and emphasizes the pragmatic and personalist nature of Ibn Taymiyyah’s writing - a translation of the Mardin fatwa with several complementary fatwas, and fragmented interpretations of the Mardin fatwa written by famous Islamists and academics.
Multimedia
In this episode, our associate editor and media analyst Isra Ibrahim moderates a conversation with Abdel Malik Ali, Hannibal Shakur, and Tanzeen Rashed Doha on American-Muslim involvement in electoral politics, participation in civil society, and the COVID-19 epidemic, as it relates to larger concerns regarding the global war on Islam.
In this episode, Tanzeen Doha moderates a conversation with anthropologist Cabeiri Robinson and influential Sikh political organizer Shamsher Singh on the struggle in Kashmir, the social production of Jihad, the complex inner lives of the mujahideen, the repressive secular apparatus of the Indian state, and the possibilities of a new collaborative political-ethics in the post-911 era.
In this episode, Tanzeen Doha and Jalil Kochai interview renowned American Indian author Ward Churchill to discuss his groundbreaking essay “The Ghosts of 9-1-1”, his observations on genocide in the texts A Little Matter of Genocide and Kill the Indian, Save the Man, and his foreword to Stephen Sheehi’s book on Islamophobia. The conversation not only touches upon Churchill’s astute historical analysis of Islamophobia and native genocide as foundational to Western “civilization,” it takes a spontaneous turn towards contemporary histories of struggle, and ideas for political and ethical action outside of the paradigm of settler civil society and citizenship.
Yassir Morsi moderates a live roundtable discussion with Hannibal Abdul-Shakur, Tanzeen R. Doha, and Isra Ibrahim, the authors of the essay “The Wolf and The Fox: Message from the Grassroots on American-Muslim Leadership”, wherein they discuss the state of Islamic leadership in America (or the lack thereof) and the relationship between anti-blackness and the global war on Islam. Amir Abdel Malik Ali of the Oakland Islamic Community Center also joins in by phone.
Along with its central narrative, 99 Nights in Logar is made up of a number of tales told to the protagonist by his parents, relatives, and other Logarian. The following is an exclusive reading of one of these tales by the author.
In this selection from his 1852 Fourth of July Oration, Frederick Douglass denounces the hypocrisy of expecting Black Americans to celebrate the fourth of July in the USA. Douglass shows that Black Americans have a counter-narrative to the white american "independence day" that must be heard - or else America is destined to the fate of Babylon.
In this audio recording, Tyson Amir examines the battle over Malcolm X’s legacy. By weaving together personal narrative and Black social history, he complicates the reduction of Islam in America to its post-9/11 iteration. Rather, he turns his gaze toward the Islam “born, bred, and lived in the midst of the most heinous system of slavery in the history of our species.” Amir situates the figure of Malcolm X within this genealogy and demonstrates the ways in which his legacy is frequently reduced to (a misinterpretation of) his post Hajj moment. While these narratives claim Malcolm X as a post-racial advocate of non-violence, Amir articulates Malcolm’s firm commitment to self-defense, and the undying “black anger” that inspired many.
Interviews
“This book was written in a style that I hope will be read as a conversation…I hope what people will take from it, is that I am positing some general ethics regarding the ways in which Muslims engage with the world through our faith and politics, and that it is really the subsequent discussions that will help to provide flesh on the bones of my thinking. So please, do write to me, and let me know what you think of what I have written, and if I have written something wrong, then hopefully we can refine these ideas until we have something that will look more like a manual for emancipation”
In my work on the Bible and Qur’an, I have often found that early Western authors sought to understand the Qur’an in light of the Biblical tradition. Any difference they found in the Qur’an they saw as a mistake that Muhammad made in understanding or retelling the story. However, more recently scholarship, such as that of Marilyn Waldman, demonstrates that the Qur’an has a particular goal in using Biblical material.
Visual Essays
Since August 2017, over 600,000 Rohingya have fled from Myanmar to neighboring Bangladesh. While Bangladesh is a densely populated country and major site of ecological crisis, the government has announced plans to build the world’s largest refugee camp there. The following is a photo essay compiled by two members of the London-based Islamic Human Rights Commission (IHRC). They arrived in the Chittagong District of Bangladesh in September 2017, during the most recent exodus of Rohingya from Rakhine State.
In July 2017 I returned to my homeland Afghanistan for the fourth time in my life. With my Canon 70D DSLR in hand, I traveled around the capital city of Kabul and my native province of Logar, capturing images of the ordinary. While Kabul has transformed from a site of strict Islamic order to a dysfunctional modern city controlled by the US-supported Afghan government, much of Logar has remained as it was since I first visited as a child in 1999. Part of this stems from the presence of the Taliban, who have resisted modernization projects in the countryside. Despite - or perhaps because of - these differences, both provinces are important sites at which to trace the shadow of the American occupation.
Yet despite these variations in the engineering project, capitalist secularism instead of Maoist socialism, much remains the same. As was the case during the Cultural Revolution, in our current moment thousands of mosques are being destroyed, Islamic teachers or mollas and their followers or talip are being imprisoned and placed in indefinite detention in political reeducation labor camps. Of course the rise of transnational communications that has accompanied the secular, colonization of the Uyghur homeland has also given rise to increased reception of global Islamic movements, and this, more than an intensification of indigenous Islamic traditions, is what is driving the Uyghur turn toward reformist Islam.
UAE-based artist Imranovi was born and raised in Damascus, though fled his country following the outbreak of conflict to avoid conscription into Bashar Al Assad's army. It was while studying English Literature at University in Syria that he found his passion for graphics and software: a talent he soon began to refine and develop.